Screen Studies has resources on Women Filmmakers
Screen Studies is a digital platform thats takes users from script to screen and beyond – offering a broad range of content from Bloomsbury and Faber & Faber to support moving image studies.
Screen Studies is a digital platform thats takes users from script to screen and beyond – offering a broad range of content from Bloomsbury and Faber & Faber to support moving image studies.
In August of 2012 I posted a blog entitled Films by Alice Guy Lost and Found.
The article discussed two films that had recently been found and have now been preserved: Parson Sue and A Tramp’s Strategy.
It looked like The Coming of Sunbeam, another recent find, would get preserved, if it was not too late to save the film based on the elements available.
Mystery. Comedy. A murder in an old house where everyone is a suspect.
These are the building blocks of Secrets of the Night, a silent movie from 1924. For years, silent film enthusiasts thought the flick was lost, like more than 7,000 other films from the era. In fact, it was listed on the U.S. Library of Congress's list of lost films.
I just stumbled on this website in Spanish devoted to Alice Guy, which starts with a blurb from the Spanish edition of my book:
Fort Lee Film Commission’s Reel Jersey Girls Women’s History Month Film Festival in March at the Fort Lee Public Library
Three theaters within the UPWIFT region will present films by the first female filmmaker, Alice Guy-Blaché, as well as sneak-peeks into a new documentary about Alice by Pamela Green and a Q&A with the filmmaker.
Press release for the three events here.
Upstate Films/Rhinebeck, Sunday, December 11, 1:00PM:
A retrospective of Alice Guy's films will be shown tonight (September 23) as part of the Woman with a Movie Camera series at the Anthology Film Archives in New York City. The 90-minute program includes:
THE DRUNKEN MATTRESS / LE MATELAS ALCOOLIQUE (France, 1906, 7 min, 35mm, b&w, silent. Print courtesy of the Library of Congress.)
THE STRIKE (U.S., 1912, 12 min, 35mm, b&w, silent. Print courtesy of the British Film Institute.)